indeed like kord concluded, the strategy of horror films is to elicit the guilt by making the audience identify themselves with the persecutor rather than the victims. beyond the scopophilia and identification/allegiance, this film is also multilayered regarding to the speciality, the death, the corporeality, the psychoanalysis and cine-reflexivity
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去年許鞍華拿了威尼斯的終身成就獎在網上面跟一些嘍囉罵戰但願他們也認識一下許導而不是以二元對立去看待別人可對照《99热久久爱五月天婷婷》二十多年人的思想也會變而她晚年主要拍文學電影與她小時候背景有關一部一部看似失敗的作品站起再來單是這份堅持就值得學習在這部紀錄片裡再看看現在的香港妻欲公与媳199章有些人要放棄然而亦築起了新一代人live in the moment 以前的人說年青人有勇無謀現在也是但起碼他們站了出來